Téléversez l'image d'une police commerciale pour obtenir des équivalents vérifiés sur Google Fonts avec code CSS prêt à l'emploi.
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Designed by Rasmus Andersson • SIL Open Font License
@import url('https://fonts.googleapis.com/css2?family=Inter:wght@400;500;700&display=swap');font-family: 'Inter', sans-serif;Ne laissez pas les coûts de licence bloquer votre projet. Remplacez les polices payantes par des alternatives Google Fonts vérifiées.
The quintessential Swiss Neo-Grotesque typeface designed by Max Miedinger with Eduard Hoffmann. Renowned for neutral tone, horizontal terminals, and dense texture.
Identical tall x-height, monoline stroke rhythm, and strictly horizontal terminal cuts, optimized for ultra-crisp screen legibility.
Designed by Paul Renner in 1927. The iconic classic geometric sans-serif based on strict Bauhaus geometry: circles, triangles, and squares.
Faithful open-source tribute to 1920s German constructivism with matching sharp pointed apexes on A/M/N and pure circular O.
Inspired by mid-century architectural lettering in New York City. Wide uppercase stance, generous open counters, and high modern authority.
Broad uppercase proportions, architectural geometric baseline balance, and clean circular loops inspired by urban signage.
Bridges the gap between geometric and humanist proportion. Widely regarded as the modern web classic used by Spotify, BuzzFeed, and Wired.
Near-identical hybrid geometric-grotesque proportions, crisp terminal angles, and open contemporary digital rhythm.
Designed by Adrian Frutiger as an organic, humanist answer to rigid geometric typefaces, with softened vertical terminals and balanced circles.
Organic warmth blended with geometric precision, featuring matching round counters and comfortable text cadence.
Designed by Laurent Benner. The signature typographic voice of tech giants including Spotify and Airbnb, combining warmth with Swiss structure.
Warm circular counters, friendly geometric grotesque stems, and matching lowercase t curvature engineered for modern digital interfaces.
The authentic digital restoration of Helvetica by Christian Schwartz, returning to the original metal type proportions and delicate optical weights.
Strict horizontal terminal cuts, neutral closed apertures, and flawless high-density visual texture in body and display copy.
The defining French neoclassical Didone typeface. Dramatic razor-thin horizontal serifs and extreme vertical stroke contrast used across luxury fashion.
Dramatic thick-to-thin vertical stroke contrast, delicate hairline serifs, and high-fashion editorial sophistication.
The German industrial standard (Deutsches Institut für Normung) engineered for traffic signage, technical blueprints, and brutalist engineering layouts.
Slightly rounded industrial signage grotesk inspired by California highway transit, capturing DIN’s narrow vertical rhythm.
The quintessential 16th-century Renaissance serif designed by Claude Garamont. Renowned for timeless literary warmth and organic calligraphic grace.
Exacting open-source scholarly revival of the classical 1592 Egenolff-Berner specimen with natural calligraphic modulation.
The landmark 18th-century English Transitional serif created by John Baskerville, featuring high stroke contrast and sharply bracketed serifs.
Optimized digital transitional revival with wider counters, taller x-height, and open bracketed serifs built for effortless screen reading.
Eric Gill’s 1928 British modernist classic, blending classical Roman capital proportions with warm humanist lowercase curves.
Humanist sans with subtle organic curves, modern proportions, and open British cadence with clean horizontal cuts.
Commissioned for Charles de Gaulle Airport, Frutiger is the world gold-standard for effortless navigational signage and interface legibility.
Engineered by Steve Matteson specifically for effortless signage and digital interface clarity with wide apertures and warm rhythm.
Carol Twombly’s iconic adaptation of the classical Roman monumental inscriptions carved into the base of Trajan’s Column in Rome.
Classical Roman monumental letterforms with chisel-cut serifs and commanding cinematic dignity.
Hannes von Döhren’s geometric sans with subtly rounded corners, evoking warm, elegant 1920s European café culture and modern boutique branding.
Geometric circular letterforms with smooth rounded transitions, clean monoline stems, and high display warmth.
The historic 1898 German realist grotesk that laid the groundwork for Swiss modernism and Helvetica decades later.
Muscular stems, tight historical grotesque apertures, and utilitarian raw European balance.
Aucune police commerciale trouvée. Essayez une recherche comme 'Helvetica' ou 'Futura'.
Tout ce que vous devez savoir pour remplacer légalement les polices payantes par Google Fonts.
Une police jumelle est une typographie open-source gratuite partageant des proportions, hauteurs d’x et contrastes quasiment identiques à une police commerciale payante.
Oui, à 100%. Toutes les polices recommandées sont sous licence SIL Open Font License (OFL) ou Apache 2.0, autorisant un usage commercial illimité.
Inter (par Rasmus Andersson) est considérée comme la meilleure alternative moderne et gratuite à Helvetica, avec des terminaisons horizontales identiques.
Notre moteur analyse les proportions de glyphes, la hauteur d’x, le contraste des traits et des matrices vectorielles 16×16 pour établir des scores précis.